Set design – project development for L’italiana in Algeri Opera by Rossini, according to the conception of scenic director’s Livia Sabag. The director’s intention was to update Rossini’s work, with simple and functional scenarios that were transmuted into 4 different environments: Mustafa and Elvira’s terrace; the port, where they received stolen goods and human trafficking;
Technical Supervision – Analysis of set design projects, lighting projects, sound and projection needs for opera productions. Supervision of the technical team, organizing the stage flow. Responsible for maintenance requests of technical equipments. Drawing maps for the house’s productions. Development of technical riders and stage rules. Control and organization of sets an props warehouse. Adaptation
Technical Direction Assistant – Intermediation between international set designers and local construction teams. Implementation of scenographic projects. Budget control and follow-up of set building. Production of set design, props, technical equipments and appliances. Managing stage maintenance contracts. Scenery and props collection cataloging. Elektra Scenic director: Livia Sabag Set design: Nicolás Boni Fosca Scenic director, set, costume, light designer
Building scale sets and props for stopmotion animation. The animation was exhibited during the final credits of the feature film “Brincante”, working for twom months at Vetor Zero studios. Scenic box measures: 2m x 1m, sets, trucks and characters in a variety of scales. Director: Gabriel Nobrega Executive production: André Rosa Animation director: Lee Peffer
Assembling installations at Old Vic Tunnels, site specific venue located in the tunnels below Waterloo station in London. The installations helped to set the mood and atmosphere of the public’s entrance, leading to the performance area.
Technical internship in various productions of City Lit Rep Company. Set building and prop making, light desk programming and operation, ASM duties. Drama montage pictures “The Wild Honey”.